Sound
These are works that are sound-led, or listening-led. Differentiating this mode from pedagogical and musical work denotes an approach beyond the particular histories and strategies of music or education.
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Performance at Central St Martins with YKLU
This performance of The Museum of Future Sound was part of Nick Mortimer’s presentation at Sound Systems, a live event organised by CSM’s Speculative Design MA course. https://drive.google.com/file/d/1GKU4nk-M5Tc4DVaG0UuHIFgblSbWQwRE/view?usp=sharing
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Sound-grottos and Echo-shells: On the digital minutiae of headphone theatre.
Sound-Grottos and Echo-Shells is a presentation I made recently at Theatre Sound (as) Collaboration. Distributed Creations, Shared Agencies, in Munich on 13-15 September 2023. Listen to on headphones for the full…
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Dan and YKLU: Museum of Future Sound
I’ve been performing with YKLU aka Nick Mortimer combining spoken word, singing, percussion and live modular synthesis. Our first performance was a reading/deconstruction of a long poem I wrote over…
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When I Was Small
This headphone piece was made for Pallant House’s Model Art Gallery and allows listeners to enter the MAG and experience the artworks as landscapes or dream-spaces from the perspective of…
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Where Words Fail (with Cathy Lucas)
Where Words Fail is a performance lecture exploring Cathy’s PhD research into C19th sound instruments, both scientific and musical. The piece specifically engages with Alexander Graham Bell’s “speaking harp”, a…
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Athelstan Sound
Athelstan Sound is a sound and listening workshop I convene in Margate. We have been meeting since 2015 and have hosted a number of musicians and artists who use the…
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Hamletmachine at the Bloomsbury Festival
I performed a live sound design for a participatory version of Hamletmachine by Heiner Müller, convened by Gareth Watkins and students from RADA and commissioned by the Bloomsbury Festival in…
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Conference (After Attar) By Caroline Bergvald
Caroline Bergvald’s Conference (After Attar) was a multi-channel performance for Whitstable Biennale and is part of Bergvald’s Sonic Atlas series. I devised the live performance sound design, recording a dawn…
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The Return of the Unknown
I was the sound designer for this epic Marlowe Theatre production that explored the arrival of the Unknown Soldier to Dover in 1918. We repurposed the Dover Marine station for…
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This Is Our Garden In The Morning
This Is Our Garden In The Morning is a headphone walk through Tate Britain made for the Sonic Trails project at Tate Early Years and Families. The piece leads audience…
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The Invisible Knapsack: Sound Art Version
This booklet was produced for Sound:Gender:Feminism:Activism 2016 held at the London College of Communication. I read the text during the conference. Further details can be found here: SOUND::GENDER::FEMINISM::ACTIVISM 2016
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Sonic Trails for Tate Learning
I have made a lot of work for headphones. Sometimes as a compromise due to multiple sound works having to coexist in the same space, but often as a creative…
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In Search of Lost Sounds: Nature Magazine Podcast
I was featured in this podcast for Nature magazine discussing Richard Woodbridge’s work on adventitious recording: https://www.everand.com/listen/podcast/418602432
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Yesterday
Yesterday was commissioned by Harewood House in Yorkshire as a response to an exhibition of Sevres porcelain. The curator, Nicola Stephenson, wrote this text for the work: Yesterday is an…
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Gneiss, New Voices, Bohmans and Richard Thomas
I was awarded a Sound and Music New Voices award in 2015 and as part of the project I worked with the Bohman Brothers and Richard Thomas, alongside Artur Vidal…
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Liberation Through Hearing
Call 01642 056912 to hear Liberation Through Hearing. Liberation Through Hearing is a site-specific installation commissioned by Measure for a phonebox outside the Royal Academy of Art. The phonebox was…
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Live at De La Warr Pavillion
Documentation of a live performance at De La Warr Pavillion, featuring potter Veronica Restropo. The piece explored Richard Woodbridge’s theory of advantageous/adventitious recordings.
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Adrift (with Olivia Kissper)
Adrift is a headphone work created for Phyllda Barlow’s docks installation at Tate Britain and commissioned by Tate Early Years and Families. I worked with ASMR filmmaker Olivia Kissper to…
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Our Father
Our Father was an installation work made with my partner Trish Scott, and her father Fr. Rodney Schofield. We followewd Rodney around rural Portugal as he met other church members…
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Mimetic Machines and the Sensuous Soundscape
I presented this paper at the World Forum for Acoustic Ecology conference at the University of Kent in 2013. The text explores mimesis in the context of field recording and…
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Advantageous/Adventitous Recordings: A radio work
This radio programme was produced for Concertzender. It explore my work and research into the theories of Richard Woodbridge III, who proposed that sound could be accidently recorded onto pots…
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The Palace of Green Porcelain
The Palace of Green Porcelain was an exhibition with myself and artist and ceramicist Katie Scwab, and curated by Rebecca Lewin. The show explored ceramics and sound and was held…
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On the Sonority of Clay
On the Sonority of Clay was a residency project made at Soundfjord Gallery in London during 2013. The project resulted in a series of works exploring sonic histories via clay…
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Covas do Rio Cover Version writing
During my residency at Obras during 2011 I wrote a collection poems as a way to explore the space of the Covas and to poke the notion of listening to…
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Covas do Rio Cover Version
Cova Do Rio Cover Version was made during a residency at Binaural Nodar, a sound arts organisation based in rural Portugal. After making a series of real-life field recordings of…
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Stone Tape Shuffle by Iain Sinclair
Stone Tape Shuffle by Iain Sinclair I recorded Iain reading excerpts from his work around East London and then edited the selections into a sound composition for vinyl release. The…
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Sounds of the Laeitani
Sounds of the Laeitani is a vinyl record of field recordings made of a fictional culture called the Laeitani. In actual fact, the album is constructed from field recordings of…
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Sound and Performance in the Tanks
With artists Louise Martin, Neil Luck and I co-convened this event in the Tanks at Tate. I also contributed three works that invited audiences to explore the space through imaginative…
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Field Recordings of Former South London Windmills
Field Recordings of former South London Windmills is an installation and vinyl LP made up of field recordings made at the sites of former windmills across South London. The piece…
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Pair Work
Documentation of a residency project with Trish Scott at MOKS in Estonia: https://pairworkproject.wordpress.com/